Partisan Critique @ Next Generation Donaueschingen

One hundred musicians, composers and musicologists have participated in the Next Generation programme of the Donaueschinger Musiktage 2024. During the festival weekend, Partisan Notes animated a series of discussions, about the premiered compositions, the currents and tendencies of contemporary musical production and the standards of music criticism. The following texts emerged from these debates.

I Can’t Breathe: A Virtual Dialogue

by George Lewis In 2016 I first heard I Can’t Breathe, Georg Friedrich Haas’s haunting work for solo trumpet, performed by Marco Blaauw at the Huddersfield Contemporary Music Festival. Haas’s work, written just after the birth of the Black Lives Matter organization, and well before the concept of Black Lives Matter came to international prominence, […]

Allusions to Music, Sexuality and Skin Color. In Conversation with Georg Friedrich Haas

This text was originally published in Musik-Konzepte 199: Georg Friedrich Haas (2023), edited by Ulrich Tadday and translated by the author with the friendly permission of the publisher edition text+kritik. JIK: Sex is not music, and music is not sex. Music and sexuality are not identical. They relate to each other. I would like to […]

THE PARACHRONIES OF TZLIL MEUDCAN 2023

Quiccritique of the 2023 edition of Tzlil Meudcan Festival Tel Aviv under the topos of the voice

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I Can’t Breathe: A Virtual Dialogue

by George Lewis In 2016 I first heard I Can’t Breathe, Georg Friedrich Haas’s haunting work for solo trumpet, performed by Marco Blaauw at the Huddersfield Contemporary Music Festival. Haas’s work, written just after the birth of the Black Lives Matter organization, and well before the concept of Black Lives Matter came to international prominence, […]

Allusions to Music, Sexuality and Skin Color. In Conversation with Georg Friedrich Haas

This text was originally published in Musik-Konzepte 199: Georg Friedrich Haas (2023), edited by Ulrich Tadday and translated by the author with the friendly permission of the publisher edition text+kritik. JIK: Sex is not music, and music is not sex. Music and sexuality are not identical. They relate to each other. I would like to […]

Partisan Critique @ Next Generation Donaueschingen

One hundred musicians, composers and musicologists have participated in the Next Generation programme of the Donaueschinger Musiktage 2024. During the festival weekend, Partisan Notes animated a series of discussions, about the premiered compositions, the currents and tendencies of contemporary musical production and the standards of music criticism. The following texts emerged from these debates.

THE PARACHRONIES OF TZLIL MEUDCAN 2023

Quiccritique of the 2023 edition of Tzlil Meudcan Festival Tel Aviv under the topos of the voice

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2022-11-17T00:00:00.000Z

PARTISAN CRITIQUE @ WIEN MODERN

Partisan Notes organized a four-day workshop in music criticism at Wien Modern. A record by the three workshop participants Laurenz Entekhabi, Linda Schachinger and Nora Sprenger

2023-02-17T00:00:00.000Z

PARTISAN CRITIQUE @ CRESC… BIENNALE FRANKFURT/MAIN

Visite Critique at Cresc… Biennale in Frankfurt sur le Main, February 17-20, 2023. More infos will be distributed, soon.

2023-07-02T00:00:00.000Z

PARTISAN CRITIQUE @ TZLIL MEUDCAN, TEL AVIV

The third Partisan Critique workshop in music criticism will take place within the framework of the musicological roundtables at the Tzlil Meudcan festival for contemporary music in Tel Aviv (3-7.2023).

2023-08-05T00:00:00.000Z

PARTISAN CRITIQUE @ DARMSTADT SUMMER COURSES

Visite Critique the Darmstadt Summer Course. August 5-13. Apply now

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Critique

Partisan Critique @ Next Generation Donaueschingen

One hundred musicians, composers and musicologists have participated in the Next Generation programme of the Donaueschinger Musiktage 2024. During the festival weekend, Partisan Notes animated a series of discussions, about the premiered compositions, the currents and tendencies of contemporary musical production and the standards of music criticism. The following texts emerged from these debates.

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Critique

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min

Critique

I Can’t Breathe: A Virtual Dialogue

by George Lewis In 2016 I first heard I Can’t Breathe, Georg Friedrich Haas’s haunting work for solo trumpet, performed by Marco Blaauw at the Huddersfield Contemporary Music Festival. Haas’s work, written just after the birth of the Black Lives Matter organization, and well before the concept of Black Lives Matter came to international prominence, […]

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Critique

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min

Jim Igor Kallenberg

Interview

Allusions to Music, Sexuality and Skin Color. In Conversation with Georg Friedrich Haas

This text was originally published in Musik-Konzepte 199: Georg Friedrich Haas (2023), edited by Ulrich Tadday and translated by the author with the friendly permission of the publisher edition text+kritik. JIK: Sex is not music, and music is not sex. Music and sexuality are not identical. They relate to each other. I would like to […]

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Interview

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min