by Assaf Shelleg

Parachrony, the multiplicity of current times that has been shaping contemporary art, literature, and music for the last three decades (roughly), could very well undergo pluralization if we wish to properly situate the recent sixteenth edition of Tzlil Meudcan. A contemporary chamber music festival held in Tel Aviv on the first week of July, Tzlil Meudcan hosts such parachronies, and they, in turn, can flesh out the simultaneous temporalities that have been informing it for more than a decade and a half.